I’m Faking It, from a performance at OFFTA 2013.
The website I speak of is http://wecanmakethiswork.org/
Many of the questions that inform my work arise from the difficulty of linking the notion of art-making with the notion of making an honest living.
Today the sun is shining in the studio and I’ve decided something that seems important.
Many of the questions that inform my work arise from the difficulty of linking the notion of art-making with the notion of making an honest living.
Likewise, many of the anxieties I have about artwork originate in an uneasy translation of ‘artwork’ into ‘livelihood.’ There’s a basic dilemma, I think, between the superfluous production of the artworld and the notion of global precarity. How do artists navigate this? And then, how can the work itself address this dilemma and provide some kind of solution?
Performance Lecture
[vimeo http://www.vimeo.com/57024948 w=711&h=400]
Performance Lecture from Adam Kinner on Vimeo.
From a show at Concordia University in December 2012. Video by Yves Gigon.
It’s Cody Again
Hey Adam,
It’s Cody again. Today, I thought, with better reception, I could tell you something important. And that is that I’ve been listening to that Marathon album and not only do I really enjoy it, but I feel like I’m shopping at the thrift store of music history. And I’m finding these bizarre, beautiful items, and they’re cheap and they’re like way better than the ones that you can get commercially, normally. But they’re weird and they function differently, and they’re not like I’m used to. And I like them but they make me feel somewhat embarrassed while being inspired, almost embarrassed by being inspired. And that’s why I like Marathon…this time. Okay.
[A phone message left by Cody. You can listen to and buy the Marathon album here, or at Cafe Resonance on February 1st.]
yes things no people say
Yes things no people say is the name of the new Marathon record, which is now available for download and streaming.
You can listen to it here.
Our next show is February 1st 2013, at Resonance in Montreal.
Thanks for listening!
We can make this work
I’ve started a new performance called we can make this work and I’m looking for collaborators.
Find out more here.
Didn’t Know
They were beginning something.
They didn’t know they were beginning something.
They were having experiences that would forever mark them.
They didn’t know they were having experiences that would forever mark them.
They were losing track.
They didn’t know they were losing track.
They were trying to understand each other.
They didn’t know they were trying to understand each other.
They were forgetting.
They didn’t know they were forgetting.
They were building something.
They didn’t know they were building something.
They were forgetting the whole point.
They didn’t know they were forgetting the whole point.
They were performing for each other.
They didn’t know they were performing for each other.
They were ending something.
They didn’t know they were ending something.
Text from a short performance with Michelle Furlong for Short & Sweet 9.
Neon
December 13th through 16th I am performing a piece called I’m Faking It at Tangente.
More information here.
Playing In Churches
In May 2012, Phil, Parker & I went to a church in the Eastern Townships and played improvisations there for a week. This is one of the things that happened.
Radio
I went into CKUT to talk about dance and me today. It’s always strange to talk on the radio. In one sense, you’re just in a room, talking. In another sense, there are people who you’ve never met who are listening to you. Some of them may be making lunch or sending e-mails, or exercising. I get caught up in imagining these people whenever I talk on the radio.
Today the talk was about my history with dance and the stuff I’m working on. I don’t think you ever really do these types of things justice when you speak about them. But if you never try then it’s a preemptive failure–the worst kind.
http://movement-museum.blogspot.ca/2012/10/adam-kinner-roque-review.html